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1975

In 1975, Hong Kong already towered on the world stage as a manufacturing, export and shipping powerhouse, but had yet to establish its credentials for culture. That year the Hong Kong Chamber Music Society was created to organize concerts in the “Salon Tradition,” and it gave its first performance at the old Hong Kong Club building in Central.
This year, we celebrate 50 glorious years of making chamber music in Hong Kong. Will you join our celebration?
Now in 2025, 50 years later, Hong Kong is a global metropolis with a vibrant arts scene. During all this time, the Hong Kong Chamber Music Society has remained steadfast in preserving the intimate “Salon Tradition” of chamber music that gave birth to the art form. While Hong Kong was being transformed, our Society continued to weave spellbinding melodies into our city’s musical fabric.
Today, as we celebrate our heritage and future, our concerts continue to be a sanctuary where music, history, and connection flourish—just as they did a half century ago.
About Hong Kong Chamber Music Society
Founded in 1975, the Hong Kong Chamber Music Society (HKCMS) is one of the city’s oldest non-profit music organizations. For nearly half a century, we have remained dedicated to presenting superb performances by remarkable artists. These performances are a unique opportunity for Hong Kong audiences to rediscover the beauty and depth of classical music in a way that’s really up close and personal.
HKCMS also continues to preserve the rich tradition of European salon concerts—a type of performance that flourished in the 18th and 19th centuries, where music was performed in aristocratic parlors and private salons. These gatherings emphasized intimacy, refinement, and the joy of live exchange between performers and audiences—values we still cherish today.
Over the years, it has worked with outstanding local and global artists, holding concerts at venues like Government House, The Peninsula Hotel, Hong Kong Club and Ladies’ Recreation Club (LRC). Beyond performances, it nurtures young talent via affiliate, performance opportunities and mentorship in an international professional network.
HKCMS continues to shape the chamber music landscape of Hong Kong with passion and purpose—where tradition meets innovation and music is always shared with sincerity, warmth, and artistry.

Celebrating 50 Years of Music: A Milestone for the Hong Kong Chamber Music Society
In 2025, the Hong Kong Chamber Music Society proudly celebrates its 50th anniversary—a remarkable milestone in our journey of sharing music with the community. For half a century, we have witnessed the evolution of Hong Kong’s classical music scene, offering audiences moments of beauty, reflection, and connection through the art of chamber music.
Since our founding in 1975, we have stayed true to our mission: presenting high-quality chamber performances in an intimate and elegant setting, preserving the timeless tradition of European salon concerts. Along
the way, we have collaborated with world-class artists and supported emerging local talent, breathing new life into the city’s musical landscape.
This anniversary is not only a celebration of the past, but also a new beginning. Today as we celebrate our heritage and our future HKCMS concerts, we look ahead with renewed passion—committed to making chamber music ever more accessible, inspiring and relevant to future generations.
To all our supporters, performers and audiences: thank you for taking this journey with us. It is your presence that has made these fifty years so meaningful.

Laurence Scofield
Chairman
Hong Kong Chamber Music Society
Some Highlights from
50 Years of Hong Kong’s
Cultural History

1975
HKCMS Founded
Established by a group of passionate music lovers, dedicated to promoting chamber music in Hong Kong.

1984
The Establishment of HKAPA
We witnessed the founding of the Hong Kong Academy for Performing Arts, a world-leading institution nurturing exceptional talent. Since its start, it has produced over 10,000 performers and arts professionals, many gracing HKCMS stages.

1989
The Opening of Hong Kong Cultural Centre
On 8 November 1989, one of Hong Kong’s most iconic cultural landmarks was officially inaugurated in a grand ceremony officiated by royalty. Many musicians appeared on both HKCC’s big stage and the HKCMS’s small stage.

2006
Recital by Rachel Cheung
At just fourteen, Hong Kong-born prodigy Rachel Cheung made her unforgettable debut with HKCMS, marking the beginning of a dazzling musical career.

2010
Violin Duets and Solos by Rising Stars
In 2010, HKCMS presented a special concert by two rising stars, Fatal Zambrycki-Payne, winner of the BBC Young Musician of the Year (1996), and Agnieszka Marucha, who won Third Prize at the 5th International Szymanowski Violin Competition, captivated the audience with a vibrant programme of solos and duets.

2010
35th Anniversary Concert
Violinist James Cuddeford, cellist Wendy Law, and pianist Sheryl Lee delivered a magical, soulful concert, celebrating 35 years of chamber music brilliance.

2015
40th Anniversary Gala Concert
Celebrating 40 years of artistry, HKCMS presents a spectacular evening of piano trios, featuring Steinway Artist Carol Yu, Hong Kong Philharmonic Concertmaster Jing Wang, and City Chamber Orchestra Principal Cellist Artem Konstantinov.

2016
Dutch Day Celebration
In a special partnership with the Netherlands Consulate General in Hong Kong, HKCMS helped launch Dutch Days Arts Festival celebrating Dutch culture. The Society hosted the Amatis Piano Trio, which includes world‑renowned violinist Lea Hausmann, for an elegant concert at the Dutch Consul General’s Residence.

2017
HKCMS’s debut at the LRC
HKCMS celebrated the move to its new home with a concert by the now grown up Rachel Cheung and violinist Gian Paolo Peloso marking the beginning of their long term partnership.

2017
Sound of Finland
The Finnish Consulate General asked HKCMS to help it celebrate 100 years of the nation’s independence with a performance by the Helsyd Piano Trio, which included celebrated violinist, the late Eriikka Maalismaa. The concert featured a specially written piece by Finnish composer Ilari Kaila just for the occasion.

2019
French Rhapsody
Showcasing RTHK Radio 4’s dedication to nurturing chamber music, the debut performance by the RTHK Chamber Soloists with HKCMS captivated audiences.

2024
Tribute to Puccini
To help the Peninsula Hotel celebrate a 100 year anniversary of the Italian composer Giacomo Puccini, soprano Phoebe Tam’s sublime renditions of Puccini’s melodies transported guests to the heart of Italy during an exquisite evening of Italian cuisine and culture.

2025
50th Anniversary
In 2025, the HKCMS proudly celebrates its 50th anniversary—a remarkable milestone in our journey of sharing music with the community.

Opening Gala Dinner
Date | 3 Oct, 2025 (FRI)
Time | 7:00 p.m.
Venue | Ladies’ Recreation Club – Function and Dining Rooms
Ticket | Concert & Dinner $680
PROGRAMME
~Appetizer~
Richard Strauss:
Zueignung Op 10, no. 1
Ständchen Op 17, no. 2
Cäcilie Op 27, no. 2
~Main Course~
Rachmaninov:
Zdes’ khorosho, Op.21, No.7
Ne poy, krasavitsa, pri mne Op.4, No.4 Vesenniye vodi Op.14, No.11
~Dessert~
Poulenc: Les Chemins de l’amour
Satie: Je te veux
~Encore~
Quilter: Love’s Philosophy
Arditi: Il bacio
PROGRAMME NOTE
Richard Strauss’s “Zueignung” Op.10, No.1 is a heartfelt declaration of love, setting an emotional tone for the recital. His “Ständchen” Op.17, No.2 offers a tender serenade, while “Cäcilie” Op.27, No.2 expresses intense passion through dramatic vocals and accompaniment.
Rachmaninov’s “Zdes’ khorosho” Op.21, No.7 provides a serene, nostalgic mood. “Ne poy, krasavitsa, pri mne” Op.4, No.4 is a lush, romantic piece full of longing, and “Vesenniye void” Op. 14, No. 11 captures the freshness of spring waters with flowing melodies and vibrant piano accompaniment, reflecting nature’s renewal and vitality.
Francis Poulenc’s “Les Chemins de l’amour” charms with playful French lyricism, while Erik Satie’s “Je te veux” is a simple yet tender waltz. Roger Quilter’s “Love’s Philosophy” delicately interprets the connection between nature and love.
The programme closes with Francesco Paolo Tosti’s “Il bacio,” arranged by Arditi, a virtuosic and passionate piece capturing the thrill of a stolen kiss.


Soprano
Phoebe Tam
Graduated from HKAPA and the Mannes School of Music under Jockey Club Scholarship, she was a young artist with Opera Hong Kong. A finalist in the Belvedere Singing Competition and semi-finalist in the Mondial Chinese Vocalist Concours, she has performed leading roles in La traviata, La bohème, Don Giovanni, and Roméo et Juliette, as well as solo works by Mahler, Vivaldi, and Fauré.
Piano
John Lee
Awarded First Prize in the Watford International and Hong Kong International Piano Open competitions, John Lee is a recipient of the Hong Kong Jockey Club Music and Dance Fund. He holds degrees from HKAPA and the Royal College of Music.
Lee has performed with the Murcia Symphony Orchestra and featured in RTHK’s Beethoven and Rachmaninoff anniversary concerts, broadcast to wide acclaim.

Dinner Menu
Enjoy a taste of Italy on 3rd October 2025 with a menu featuring classic flavors. Start with Burrata cheese or Caprese salad, followed by Braciole in garlicky tomato sauce or Penne all’Arrabbiata. Finish with the traditional Italian dessert, Tiramisu.
APPETIZER
Burrata cheese (Pesto, Parma Ham, Semi-dried Tomato)
or
Caprese Salad (Basil, Tomato, Olive powder)
Main Course
Braciole (Beef Roll stuffed with Cheese, Herbs
Breadcrumbs Garlicky Tomato Sauce)
or
Penne All’ Arrabbiata
Dessert
Tiramisu

Exceptional Skill and Virtuosity
Date | 2 Nov, 2025 (SUN)
Time | 7:00p.m.
Venue | Ladies’ Recreation Club – Function and Dining Rooms
Ticket | Concert Only $280; Concert & Dinner $680
PROGRAMME INTRODUCTION
Dreamscape Rich with Colours and Emotions
From Beethoven’s intense “Kreutzer” Sonata to the lyrical nocturnes of Chopin, the shimmering harmonies of Scriabin, and Debussy’s exquisite musical watercolors, this concert invites you into a poetic dreamscape rich with colors and emotions.
PROGRAMME
Chopin: Nocturne Op.9, No.1-3
Debussy: Les collines d’anacapri
Debussy: La fille aux cheveux de lin
Scriabin: Valse Op.38
~Intermission~
Beethoven: “Kreutzer” violin sonata
PROGRAMME NOTE
The “Kreutzer” Violin Sonata demands that both violinist and pianist have exceptional skill and virtuosity. Each must evoke passion and conflict plus moments of tenderness and introspection. The piece has been inspiration for later artistic geniuses like Janáček and Tolstoy.
Chopin’s Nocturne Op. 9 No. 1-3 are celebrated for their lyrical beauty and depth. They are cornerstones of the Romantic piano repertoire, admired for melodic grace and highlight the influence of Italian opera on Chopin’s writing.
Scriabin’s Valse Op. 38 is a captivating blend of his early Romantic style, influenced by Chopin, with hints of what’s to come in the future of music.
Debussy’s Les collines d’Anacapri captures the essence of a sunny Mediterranean landscape and evokes a feeling of sunlight with its unique harmonies. La Fille aux cheveux de lin (The Girl with the Flaxen Hair) is a piece of delicate beauty, evoking innocence and gentle grace. Its dreamy, atmospheric quality using the whole-tone scale is deceptively simple.


Violin
Wang Liang
Currently Second Associate Concertmaster of the Hong Kong Philharmonic, Wang Liang is a celebrated violinist known for his dynamic concerto performances across Hong Kong and internationally. He has appeared as guest concertmaster with multiple orchestras and recorded all 24 Paganini Caprices. Wang is also dedicated to education, teaching at Hong Kong Baptist University and conducting school orchestras. He plays a 1788 Joseph Gagliano violin, generously donated by the HK Philharmonic Society.
Piano
Huang Naiwei
Pianist Huang Naiwei is a versatile soloist and collaborator in classical and jazz, praised by Yo-Yo Ma and invited to work with composer Tan Dun. A graduate of HKAPA, he has performed extensively across Asia and Europe, with a passion for composition and improvisation. Huang is also an educator, teaching at HKAPA’s junior programme, and has served as a judge in major piano competitions.


Vocal Recital: Muses and More
Date | 18 Nov, 2025 (TUE)
Time | 7:00p.m.
Venue | Ladies Recreation Club – Function and Dining Rooms
Ticket | Concert Only $280; Concert & Dinner $680
PROGRAMME INTRODUCTION
The concert Muses and More celebrates women in music with a program of songs and arias exploring purity, elegance, mystery, and strength. Soprano Viola Cheung and pianist Leona Cheung perform works by both celebrated and overlooked composers, from Mel Bonis and Jane Vieu to operatic heroines like Violetta and Baby Doe. The recital honors women as creators and storytellers, showcasing their artistry and powerful narratives.
PROGRAMME
Debussy: Rondel Chinois
F.Liszt: Oh! quand je dors
Mel Bonis: Trois Mélodies
Jane Vieu: La Belle au bois dormant
Massenet: Cendrillon: “Ah! douce enfant”
Verdi: La Traviata: “Sempre Libera”
~Intermission~
Puccini: La Boheme: “Quando men vo” Liza Liza Lehmann: Five Little Love Songs
Douglas Moore: The Ballad of Baby Doe: “Gold is a fine thing”
Jonathan Dove: The Enchanted Pig: “It’s My Wedding”
PROGRAMME NOTE
O quand je dors by Franz Liszt evokes the timeless beauty, mystery, and power of the feminine, drawing on the Petrarchan ideal of Laura as both muse and inspiration. This art song celebrates womanhood as a source of admiration, creativity, and emotional depth, portraying sensuality and grace intertwined with agency. Through its lyrical lines and expressive harmonies, the piece invites listeners to reflect on the multifaceted nature of femininity — both delicate and commanding, inspiring awe and evoking profound artistic resonance.
Sempre Libera from Verdi’s La Traviata presents Violetta as one of opera’s first heroines to boldly break free from destiny and societal expectations. She owns her narrative with courage, intelligence, and vitality, navigating love, sacrifice, and freedom on her own terms. As a character, Violetta embodies feminine strength and agency, challenging confinement while expressing vulnerability, passion, and resilience. Her story continues to inspire audiences, celebrating the enduring power of women who claim their voices and shape their own paths.
Silver Aria from The Ballad of Baby Doe by Douglas Moore glorifies the hidden beauty and quiet strength of the feminine, likened to silver and the moon — often overshadowed by the brilliance of the sun, yet commanding in its own right. Just as the moon’s unique qualities help balance the universe, Baby Doe’s voice and presence reveal resilience, intelligence, and subtle power in her story as a modern female protagonist.
Trois Mélodies by Mel Bonis presents a captivating set of three songs that showcase the composer’s originality and expressive subtlety. In a male-dominated musical world, Bonis created works of elegance and emotional depth, blending melody, harmony, and text in ways that are uniquely hers. Each song in this set offers a distinct mood and character, revealing her sensitivity to poetry and her command of vocal color. Let us celebrate her achievements, rediscover the beauty of her music, and experience the fresh, nuanced voice of a remarkable female composer.


Soprano
Viola Cheung
Viola Cheung is a Chinese soprano born in Hong Kong. She was awarded the scholarship of Best Student in Concentrated Studies by Hong Kong Baptist University and elected as one of the “Young Music Makers” by Radio Television Hong Kong in 2015, before she continued her music studies in the Netherlands. She graduated as a master student from both the Royal Conservatory of The Hague and Codarts Rotterdam, and received vocal coaching and masterclasses from Charlotte Riedijk, Maartje Rammeloo, Eva Maria Westbroek, Frank van Aken, Roberta Alexander, Ira Siff, Luciana Serra and Lynne Dawson.
Piano
Leona Cheung
Leona Cheung is a Boston-based collaborative pianist. An expert in the vocal repertoire, from art songs to opera, she is especially known for her musical leadership and responsiveness while collaborating with singers and conductors. She has worked with Grammy Award-winning conductors, singers, and choral organizations, as well as American Prize winners.

Dinner Menu
Join us on 18th November 2025 for a taste of France.
Start with classic French Onion Soup or a warm goat cheese salad. For the main course, enjoy Chicken Coq au Vin or Mushroom Bourguignon with mashed potato. Finish with a traditional Amandier, a French almond cake.
APPETIZER
French Onion Soup
or
Salade de Chevre Chaud (warm goat cheese salad)
Main Course
Chicken Coq au Vin
or
Mushroom Bourguignon (Mashed potato)
Dessert
Amandier (French Almond Cake)

Intensely Personal and Intimate
Date | 25 Nov, 2025 (TUE)
Time | 7:00p.m.
Venue | Ladies Recreation Club – Function and Dining Rooms
Ticket | Concert Only $280; Concert & Dinner $680
PROGRAMME INTRODUCTION
An Evening of Romantic Masterpieces: Schumann, Brahms & Franck
From the profound depths of Brahms’ E Minor Cello Sonata to the impassioned lyricism of Franck’s Cello Sonata and the poetic introspection of Schumann’s Fantasy Pieces, this programme guides the audience through a century of Romantic expression, weaving together emotional intensity and structural elegance in a seamless narrative of sound.
PROGRAMME
Schumann: Fantasy Pieces
Brahms: Cello Sonata in E Minor, Op.38
~Intermission~
Cesar Franck: Cello Sonata
PROGRAMME NOTE
Schumann’s Fantasy Pieces are intensely personal, intimate and full of contrasting moods and characters. They are deeply romantic and confessional and are said to contain secret messages for his wife Clara Schumann.
Brahms’ Cello Sonata in E minor, Op. 38, is famous for its masterful use of counterpoint and its intimate dialogue between cello and piano. The rich, symphonic piano part is set against the cello’s role as an equal partner, not merely an accompanying instrument. The finale, a fugue inspired by Bach’s Art of Fugue, is renowned for its technical brilliance and integration of contrapuntal techniques.
César Franck’s Cello Sonata combines a unique blend of romanticism and spirituality. Indeed, the slow movement has been described as a “religious meditation.” The sonata is known for its technical demands on the cellist, and we are fortunate to have a master of the instrument from Germany, Jonathan Weigal, who will demonstrate for us why this piece continues to fascinate and challenge musicians and listeners alike.


Cello
Jonathan Weigle
Jonathan Weigle is equally successful as a soloist, chamber and orchestra musician on international stages. He has been principal cellist of the Cologne Chamber Orchestra since 2015 and regularly plays as Guest Principal Cello with the City of Birmingham Symphony Orchestra, the Malaysian Philharmonic Orchestra, Frankfurt Radio Symphony Orchestra, Royal Philharmonic Orchestra London and the Hong Kong Sinfonietta. He has also made guest appearances with the Leipzig Gewandhaus Orchestra and the Mahler Chamber Orchestra.
Piano
Warren Lee
Described as “a first-rate artist” (American Record Guide), pianist Warren Lee is a Steinway Artist with 11 albums to his name and performances across five continents. A former prodigy and winner of the Stravinsky Awards, he is also a respected educator, composer, and cultural leader, honoured with the Ten Outstanding Young Persons Award and Yale’s Distinguished Alumni Award.

Dinner Menu
Celebrate German cuisine on 25th November 2025.
Begin with German Leek and Potato Soup or Sauerkraut and Ham Rolls. For the main course, choose Red Cabbage Stuffed Pork Loin with Bavarian mustard sauce or Sauerbraten with red cabbage. End with a warm Apple Tarte Tatin served with vanilla ice cream.
APPETIZER
German Leek and Potato Soup
or
Sauerkraut and Ham Rolls
Main Course
Red Cabbage Stuffed Pork Loin (Bavarian mustard sauce)
or
Sauerbraten (marinated pot roast) with red cabbage
Dessert
Warm Apple Tarte Tatin
with Vanilla Ice cream

The Essence of Storytelling
Date | 8 Dec, 2025 (MON)
Time | 7:00p.m.
Venue | Ladies Recreation Club – Function and Dining Rooms
Ticket | Concert Only $280; Concert & Dinner $680
PROGRAMME INTRODUCTION
Clarinet, viola, and piano are the characters in an opera
Beginning with Mozart’s elegant trio, this concert weaves through the intimate, story-like pieces of Bruch and Schumann. It’s a salon-style musical conversation, where fairy tales unfold not for children, but for the inner child in every adult.
PROGRAMME
W.A.Mozart: “Kegelstatt”, KV 498
Max Bruch: 8 Pieces for Clarinet, Viola and Piano, Op.83 No.2, 6, 7
~Intermission~
Robert Schumann: “Märchenerzählungen” Op.132
PROGRAMME NOTE
Kegelstatt, KV 498 shows off Mozart’s masterful balance with no one instrument dominating the others. Its elegant melodies and graceful phrases are like a conversation between the three. The piece is seen as a showcase for the unique timbral blend of the clarinet and viola with the piano.
Max Bruch’s 8 Pieces for Clarinet, Viola and Piano, Op.83 No.2, 6, 7 are short and varied in mood and tempo, but are much more than salon sketches. Each is a fully realized chamber work with structured forms, romantic harmonies and passionate expression.
Robert Schumann’s Märchenerzählungen (Fairy Tale Narratives), Op. 132, captures the essence of storytelling through music, with a focus on the picturesque and fanciful. Its dreamlike quality, contrasting moods and the interplay between the clarinet, viola, and piano, have been likened to characters in an opera.


Clarinet
Andrew Simon
Principal Clarinet of the Hong Kong Philharmonic since 1988, Andrew Simon has performed over 70 concerti worldwide and recorded acclaimed albums for NAXOS. He gave the Asian premiere of Copland’s original Clarinet Concerto and studied John Corigliano’s concerto with the composer himself. Praised for his “formidable technique, flair, and musicianship” (Michael Tilson Thomas), Simon is also an active educator, teaching at HKAPA, CUHK and institutions worldwide.

Piano
Warren Lee
In addition to Warren Lee’s international career as pianist and recording artist, he has been recognized for his contributions with an Associateship from the Royal Academy of Music. Equally active as an educator and award-winning composer, he continues to inspire through teaching, artistic leadership, and cross-disciplinary pursuits. A modern-day Renaissance man, he also holds multiple postgraduate degrees in business, law, and media.

Viola
Jeremy Williams
Jeremy Williams has performed with top ensembles including the London Symphony Orchestra, Nash Ensemble and Australian String Quartet. His global career spans festivals from Salzburg to Beijing and collaborations with artists like Paul McCartney and Quincy Jones. Former Principal Viola of the HK Phil, he has also served as Director of Strings at the University of Tasmania.
Dinner Menu
Discover the flavors of Austria on 8th December 2025.
Begin with a roasted cauliflower and chickpea salad with saffron sauce or smoked salmon with pomegranate and quinoa salad. For the main course, enjoy a classic roasted vegetable quiche or slow-roasted lamb leg with Hasselback potatoes and vegetables. Conclude with the iconic Sacher Torte served with popped rice and vanilla sauce.
APPETIZER
Roasted cauliflower and chickpea salad (Saffron Sauce)
or
Smoked Salmon (Pomegranate and Quinoa Salad)
Main Course
Classic Roasted Vegetable Quiche
or
Slow Roasted Lamb Leg (Hasselback Potatoes and Vegetables)
Dessert
Sacher Torte
(Popped Rice, Vanilla Sauce)

Private Residence Concert on the Peak
Date | 9 Dec, 2025 (TUE)
Time | 7:00p.m.
Venue | A Luxury Residence at Mount Kellett Road, the Peak, located at one of the highest points on Hong Kong Island.
Ticket | Concert Only $280; Concert & Dinner $680 (Dinner menu upon request specially selected for guests by the Host and Hostess)
PROGRAMME INTRODUCTION
Soaring between Classical and Contemporary Worlds
The evening begins with Haydn’s enchanting “Bird” Quartet, sparkling with playful motifs and elegant charm. Chan Kai-young’s “À la recherche de la lune” then invites listeners on a poetic, modern voyage. The program culminates in Mendelssohn’s deeply expressive String Quartet in E-flat Major, where classical grace meets Romantic passion, promising a beautifully rich musical journey.
PROGRAMME
Haydn: String Quartet in C Major, Op. 33 No. 3, “The Bird”
Chan Kai-young: “À la recherche de la lune”
~Intermission~
Mendelssohn: String Quartet in E-flat Major. Op. 12, No.1
PROGRAMME NOTE
Joseph Haydn’s String Quartet in C Major, Op. 33 No. 3, popularly known as “The Bird,” is a delightful and spirited work renowned for its lively textures and playful motifs. The nickname comes from the chirping, birdlike figures that add charm and whimsical character to the music.
Chan Kai-young’s À la recherche de la lune (In Search of the Moon) offers a contemporary voice within this programme. This piece evokes a poetic and mysterious atmosphere, blending modern harmonic language with delicate instrumental colors to take listeners on an evocative musical journey.
Felix Mendelssohn’s String Quartet in E-flat Major (1823) reveals the young composer’s early mastery and lyrical inventiveness. Though composed in his teenage years, this work already displays Mendelssohn’s gift for melodic warmth and classical elegance.
Mendelssohn’s String Quartet No. 5 in E-flat Major, Op. 44, No. 3 is a mature work that balances structural sophistication with expressive depth. Part of his celebrated Op. 44 set, this quartet features rich harmonic textures and invigorating thematic development, making it a highlight of the Romantic quartet repertoire.

Romer String Quartet
Violin I
Yip-wai Chow
Violin II
Kiann Chow
Viola
Ringo Chan
Cello
Eric Yip
Named after Romer’s Tree Frog, endemic to Hong Kong, the Romer String Quartet (RSQ) is one of the city’s most active and versatile string quartets, recognized for its virtuosic performances and innovative programming.
Born and raised in Hong Kong, a city known as a cultural melting pot, the RSQ’s musicians are passionate about cross-disciplinary collaborations with artists from diverse backgrounds, including dancers, choreographers, multimedia artists, animators, sand painter, storyteller, and indie rock bands. Committed to creating extraordinary musical experiences and pushing the boundaries of the string quartet form, RSQ has collaborated with acclaimed artists on genre-defying projects. Notable works include Samson Young’s multimedia project Muted Situations for the Asia Triennial Manchester and Art Basel Hong Kong, as well as a series of online music-animation projects co-produced with Kamishibai Studio HK, supported by the Hong Kong Arts Development Council’s Arts Go Digital Platform Scheme.
Dedicated to championing new music, RSQ frequently collaborates with both established and emerging composers, having premiered over 60 works to date. Recent commissioned works include Chan Kai-young’s à la recherche de la lune, with sponsorship from the CASH Music Fund, and quartet cellist Eric C.H. Yip’s Shade in Darkness. The quartet was featured in Freespace Mixtape Vol. 3, an album of new compositions and arrangements produced by the West Kowloon Cultural District, and in the acclaimed CD Eurydice, featuring an hour-long work composed by Austin Yip for the dance film Ballet de la Nuit.
Since its debut in 2013, RSQ has earned widespread acclaim for performances at prestigious venues such as Carnegie Hall in the United States and Toppan
Hall in Japan. The quartet has also appeared at renowned festivals, including the Hong Kong Arts Festival, Beare’s Premiere Music Festival, and the French May Arts Festival. RSQ regularly performs locally and internationally in projects presented by organizations such as the Leisure and Cultural Services Department of the Hong Kong Government, Hong Kong Economic and Trade Office (Tokyo), Radio Television Hong Kong, Hong Kong Sinfonietta, Hong Kong Art Museum, Hong Kong New Music Ensemble, Tai Kwun – Centre for Heritage and Arts, Hong Kong Harmonica Association, and Hong Kong Composers’ Guild, among others. As the quartet-in-residence with Premiere Performances Hong Kong, RSQ has delivered over 20 educational and outreach performances, alongside masterclasses and workshops at local and international institutions.
Highlights of RSQ’s 2025/2026 season include concerts at the Guangdong Audio and Video 689 Art Space, Beautiful Sunday at the Shenzhen Concert Hall, and Shimmery Glimpses at the French May Arts Festival Associated Project.


A Gracious and Elegant Venue Perfect for
Chamber Music
Step into our exquisite venue, where charm and sophistication create the ideal setting for chamber music. This beautifully appointed room offers both comfort and aesthetic pleasure. It creates an intimate atmosphere that allows music to resonate beautifully. The warm acoustics, elegant décor, and inviting ambiance ensure a truly memorable experience for all.
Whether you’re a devoted classical music lover or discovering the magic of chamber performances, our lovely venue promises an evening of pure enchantment. Join us for an unforgettable journey through music in a space as refined as the melodies themselves.

Support Us
Your support can make a powerful difference
—help us keep the music alive by donating today!
Celebrating 50 years in 2025, The Hong Kong Chamber Music Society has uniquely kept the salon tradition alive—intimate concerts, drinks, and dinner with musicians. Loved by audiences and performers alike, there’s nothing else like it in Hong Kong.
Help us continue this legacy by becoming a member for just HK$1,000/year. Support our 50th anniversary, enjoy exclusive benefits, and help shape the future of chamber music.
Online Donation
Click the button below to fill in the donation form
For other forms of support
Call us at 2579 5533/ 2536 9631 or email us at program@fama.org.hk

Location and Transportation
Address
Ladies’ Recreation Club(LRC)
10 Old Peak Road, Hong Kong
Telephone
General Enquires:
3199 3500 (LRC) / 2536 9631 (HKCMS)
WhatsApp: 5592 9010
By Public Transportation
MTR:
Take the Central Station (Island Line), Exit C1. From there, take a short taxi or minibus ride up Old Peak Road (about 5–7 minutes).
Bus / Minibus:
Green minibuses 1 or 1A from Hong Kong Station Minibus Terminus go up Old Peak Road. Alight at Ladies’ Recreation Club stop.
Taxi: A convenient option from Central or Admiralty Station.
By Car / Parking
Non-member parking at LRC is limited, but may be requested. For greater convenience, park in Central and take a taxi to 10 Old Peak Road address of the LRC.

Address
Located at a Luxury Residence,
The Peak, Hong Kong
Telephone
General Enquiries:
2536 9631 / 2579 5533 (HKCMS)
WhatsApp: 5592 9010
By Public Transportation
MTR:
Take the Central Station (Island Line), Exit D1. From there, take a taxi to Mount Kellett Road (around 15 minutes).
Bus / Minibus:
Green minibus 1 or bus 15 from Central/Exchange Square goes towards The Peak. Alight at Peak Galeria terminus. Shuttle bus provided every 10 minutes from 6:00 p.m.
Taxi: A convenient option from Central or Admiralty Station.
By Car / Parking
Drive from Central up Cotton Tree Drive, Magazine Gap Road and Peak Road and park your car at the large carpark in the Peak Galleria Shopping Mall at 119 Peak Road. Bus transfers will be available every 10 minutes to the Mount Kellett Road venue.
Ticketing Information
Package Discount
5%
Discount
5% off when purchasing 2–3 tickets — a delightful way to share the music with a companion.
10%
Discount
10% off when purchasing 4–5 tickets — bring more friends and enjoy the celebration together.
15%
Discount
15% off when purchasing 6 or more tickets — the best value for those who wish to experience the complete journey.
How to Purchase
Telephone Reservations
2536 9631 / 2579 5533
Whatsapp Reservations
5592 9010
Secure your seats with a simple call or message. No handling fee.
Ticket Order Form
Click the below button for the online form.
Art-mate Booking
www.art-mate.net/hkcms50
Book instantly through Art-mate website. Handling fee may apply.

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